We only really talk about Sam Kieth’s passing towards the end of the episode but I think we should have probably talked about his work more off the top.
I can’t really understate how hard The Maxx hit when I first stumbled upon it in the early 90s. I came to Sam Kieth’s work through the animated series but later when I dug into his comics (including his work on Sandman) I found myself pushed further and further down the path as an “indie comics” kid.
Are Jim Mahood and Jhonen Vasquez two of my favorite artists if not for the work of Sam Kieth? Probably not.
Jim Lee on Sam Kieth:
“”Kieth, who was not just a big name coming off his sensational run on Marvel Comics Presents, but a friend who also loved talking about the psychological underpinnings of our favorite characters. My pitch to Sam back then was simple: come do whatever you want. Total creative freedom. Own it all. Take it wherever you want-or nowhere at all. And Sam ran with it and launched his creation ‘the Maxx’ through our anthology series Darker Image #1, promptly selling over a million copies.”
We talk about plenty of other stuff too but I just wanted to give one of the greats his due.
We talk about how often science fiction gets things wrong, a bunch of other celebrity deaths, the Firefly reboot, Buffy, the Arrowverse and how horror movies are getting their flowers at the Oscars. Just the usual stuff you’ve come to know and love about the 9to5 Entertainment System.
Over on Garbage Time we immediately break our promise about Garbage Time being the more “fun” and “less depressing” of the two versions of the show. We talk about tuberculosis, cancer, people getting sick from scurvy and everyone’s favorite worm: the screw-worm. Are you not intrigued? We wrap things up by talking about the viral marketing for the new Faces of Death movie and then we wax philosophical about how there are just too many dang comics being published.
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Credit Where Credit is Due
Our intro song is a brand new jam cooked up by OKU-DA just for us, do yourself a favour and check out his SoundCloud).
